![]() ![]() NOTE: At their announcement this morning, Apple highlighted the new Touch Bar on the MacBook Pro. While this feature looks interesting, I haven’t used it, so I haven’t included it in this article. ![]() HDR (High-Dynamic Range) media is video with an extended gray-scale and color saturation. We are in a transition phase now – both in technology and terminology.įirst, the terms. Wide color gamut video is the color space portion of HDR, which is defined by a new video spec called “Rec. 601, which referenced standard-definition video, and Rec. It describes pixels with a larger image size (“more pixels”), an extended range of gray-scales (“brighter pixels”), and great color saturation (“richer pixels”). Some, for instance, just support bigger frame sizes. In general, moving forward, we will probably refer to video as Rec. ![]() The new 10.3 version of Final Cut and ProRes both support 16-bit video. However, our computer monitors can’t yet display it. #Final cut pro free download tumblr fullWhile all current Macs CAN display a more limited representation of this extended video called “P3,” to see the full glory of Rec. Final cut pro x 10.3.4 crash import full# 2020 media requires an external video monitor.įinal Cut 10.3 fully supports Rec. 2020 video displayed on an external monitor. In fact, the system automatically senses the correct color space – 601, 709, 2020 – and configures appropriately. Color space can be set for the Library or the Project. NOTE: Here’s a graph comparing color spaces (scroll down about halfway). And here’s a brand-new white paper on color space from Apple with much more detail. In short, the interface is darker, video looks better and everything has moved somewhere else. The Final Cut interface, which was already dark, has gotten darker. This makes video seem to “pop” off the screen, both for normal HD footage as well as a demo I saw using 12-bit video.Īs I was editing with it, I realized that I needed to make my edit suite darker in order to see the screen better. #Final cut pro free download tumblr seriesThe interface has become a series of medium gray shapes on a dark gray background. This had the advantage of improving the look of my video on screen, but but the dimness made it harder to read my paper notes.Īpple has moved all the clutter from the middle of the screen to the edges: Final cut pro x 10.3.4 crash import series# The interface is darker and all icons have “flat” look. The timecode display is now under the Viewer. The Browser bar is gone, with Browsers divvied up into two different corners. However, there are a number of very welcome changes: The icons to create Favorites and Rejected clips are gone. FCP X ships with four “workspaces,” custom window layouts, and provides the ability for us to create our own (though panels still cannot be moved or undocked). Dual-computer monitor support is MUCH easier and more flexible. Timecode display, especially of source timecode, is improved. The new workspaces are REALLY neat! The ability to hide the Timeline makes logging so much easier, especially on smaller screens. And seeing the entire Inspector at a glance is extremely useful. Roles have moved from “nice to know,” to essential especially for audio. Roles are now color-coded so you can see your audio layout at a glance, grouped by dialog, effects and music. You can now shuffle audio layers by group – move all sound effects to the top of the Timeline to help with syncing, for example. In fact, Roles will automatically move similar clips into similar locations in the Timeline. You can group similar audio into “lanes” in the Timeline, automatically, without dragging.Ĭlicking the Focus button highlights specific audio and collapses everything else. We can instantly group similar Roles – say all dialog – into a compound clip and apply an audio filter to the compound clip. This is a very innovative way to achieve what amounts to a submix bus, without the work. ![]() Roles can be color-coded and you have a palette of colors to choose from for a role. Roles can be managed at the Library or Project level, you can create as many Roles as you need, and Roles can have sub-roles. For example, a Title Role, can have sub-roles of “English,” “Spanish,” “French,” allowing you to enable each language with a single mouse click, even if dozens of titles are involved. The features Roles provide are deep and sophisticated. It’s going to take me a couple of weeks to really understand these. Final cut pro x 10.3.4 crash import series#.Final cut pro x 10.3.4 crash import software#.Final cut pro x 10.3.4 crash import full#.Final cut pro x 10.3.4 crash import upgrade#. ![]()
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